Adobe after effects cs6 user guide pdf free

Retrieved March 10, October 16, Retrieved October 27, Retrieved Retrieved March 19, May 18, Adobe Creative Suite and Creative Cloud. Adobe Inc. Category Commons. Digital compositing software. Motion graphics and animation software. Pivot Animator.

Adobe Director Avid Elastic Reality. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Company of Science and Art. Selecting and arranging layers Managing layers Layer properties Blending modes and layer styles Cameras, lights, and points of interest Views and previews Previewing Modifying and using views Animation and Keyframes Animation basics Setting, selecting, and deleting keyframes Page: 3 Editing, moving, and copying keyframes Assorted animation tools Keyframe interpolation Speed Tracking and stabilizing motion Animating with Puppet tools Time-stretching and time-remapping Color Color basics Color management Drawing, painting, and paths Paint tools: Brush, Clone Stamp, and Eraser Overview of shape layers, paths, and vector graphics Creating shapes and masks Managing and animating shape paths and masks Shape attributes, paint operations, and path operations for shape layers Text Creating and editing text layers Formatting characters and the Character panel Formatting paragraphs and the Paragraph panel Animating text Extruding text and shape layers CS6 Examples and resources for text animation Transparency and compositing Compositing and transparency overview and resources Alpha channels, masks, and mattes Keying Roto Brush and Refine Matte Effects and animation presets Effects and animation presets overview Effect list Audio effects Channel effects The rolling shutter repair effect CS6 Color Correction effects Distort effects Generate effects Keying effects Matte effects Obsolete effects Perspective effects Simulation effects Stylize effects Text effects Time effects Page: 4 Transition effects Utility effects Markers Layer markers and composition markers XMP metadata Memory, storage, performance Memory and storage CS5.

Improve performance Memory and storage CS6 Expressions and automation Plug-ins Scripts Automation Expression basics Expression language reference Expression examples Rendering and Exporting Basics of rendering and exporting Rendering and exporting for Flash Professional and Flash Player Rendering and exporting still images and still-image sequences Automated rendering and network rendering Converting movies Page: 5 What’s New 1.

This feature allows you to incorporate 3D objects into a 2D scene effectively. See this series on the video2brain website for video training about every new and changed feature in After Effects CS5. For the tutorials, see this Adobe TV video series. Top new features in After Effects CS5. Source timecode: Source timecode CS5. Light falloff: Light settings. Plus many more. Legal Notices Online Privacy Policy 7. However, there were still a couple of issues.

See these posts on the After Effects user-to-user forum for a discussion of alternatives and feedback. This post on the After Effects Region of Interest blog has more information about giving feedback in general.

Projects and compositions changes The default composition settings are now for a second x HDTV composition: Composition settings In previous versions, if you were entering or editing text when it was time for an auto-save, you would be forced out of text-editing mode.

Now, if you’re in text-editing mode when it’s time for an auto-save, that auto-save is skipped: Save and back up projects in After Effects CS5 The Frame Rate control in the Composition Settings dialog box now includes a menu that allows you to select from a list of common frame rates: Change frame rate for a composition 8. Page: 13 The composition background color setting is now located in the Composition Settings dialog box instead of on the Composition menu, and the keyboard shortcut for accessing only the composition background color has been removed: Composition settings When you double-click a precomposition layer when the Roto Brush tool or a paint tool is active, the precomposition layer opens in a Layer panel.

To open the nested composition in a Composition panel instead, Alt-double-click Windows or Option-double-click Mac OS the precomposition layer: Opening and navigating nested compositions Importing and managing footage items changes Added interpretation rules and gamma rules for ProRes media: Interpret footage items Added. After Effects CS5 can import and export FLV files encoded with the On2 VP6 codec: Render and export a composition as an FLV or F4V file When you drag a completed output module to a folder in the Project panel, you import the output file or files into that folder: Output modules and output module settings Double-click a footage item in the Project panel to open it in a Footage viewer.

Alt-double-click Windows or Option-double-click Mac OS a footage item in the Project panel to open the source file in the media player assigned for that file type by the operating system. Press Enter on the numeric keypad to open selected footage items in a Footage viewer.

The behavior in previous versions was less predictable and more complex, and was limited to specific media players: View footage item in the Footage panel or media player assigned by operating system Layers and properties changes Added Divide and Subtract blending modes: Blending mode reference The Label Colors and Label Defaults preferences categories have been combined into one Labels preference category. Null Object and Text items have been added to the Label Defaults section, and a new label color control Dark Green has been added in the 16th position.

In After Effects CS5, the default center cut action-safe margin is Page: 14 corner of each view such as Top or Right to indicate which view is associated with which camera perspective. To hide these labels, choose Show 3D Labels from the Composition panel menu: Choose a 3D view When you click the Current Time control in the upper-left corner of the Timeline panel, you can now enter a time directly in the box instead of opening the Go To Time dialog box: Move the current-time indicator CTI When you click the Time Navigator in the Timeline panel, the Info panel shows the times of the beginning and end of the Time Navigator duration: Zoom in or out in time for a composition When you click the Work Area bar in the Timeline panel, the Info panel shows the times of the beginning and end of the work area.

This change corresponds with a change in gamma from 1. Use the corresponding tools to apply the effects: Paint tools: Brush, Clone Stamp, and Eraser and Animating with Puppet tools The histogram in the Levels effect provides the option to see individual color channels in context with other color channels, as well as showing color channels as colorized: Levels effect The Alpha Levels effect has been removed.

Instead, use the Levels effect, which can be assigned to work only on an alpha channel, has a histogram, and is a bpc effect. Old projects that use the Alpha Levels effect will still open, and you will still be able to modify the Alpha Levels effect properties in these projects: Levels effect The Vector Paint effect has been removed. Compositions created with a previous version of After Effects that use the Vector Paint effect will still render, but you will not be able to modify the Vector Paint effect properties in these compositions.

Instead, use paint tools and shape layers: Drawing, painting, and paths Font preview support the Show Font option has been removed from the Basic Text, Path Text, and Numbers effects. Even if a property of an effect is selected, the effect itself not just the selected properties visible in the Timeline panel will be copied.

The start-up time for the background processes used in Render Multiple Frames Simultaneously multiprocessing is also reduced. Plug-ins, scripts, and automation changes Esc key interrupts a running script: Loading and running scripts After Effects CS5 can load and run only bit plug-ins, not bit plug-ins: Plug-ins Pixel Bender Toolkit 2.

The dialog box contained an option for using RLE run-length encoding. This option is now Page: 16 always on. Remaining are color depth options for Colors 8-bpp color , Millions Of Colors 8-bpc , Trillions Of Colors bpc , and Floating Point bpc : Output modules and output module settings Removed overflow volumes feature.

Changed Segment Movie Files At preference to Segment Video-only Movie Files At preference: Segment settings Removed some fractional audio sample rates and ability to set audio sample rate to an arbitrary, custom value in output module settings. These changes are for Mac OS only. For a complete list of keyboard shortcuts, see Keyboard shortcuts. Rolling the mouse scroll wheel zooms in this context: Scroll or zoom with the mouse wheel Page: 17 Many dialog boxes now have a Preview option that allows you to see the results of changes before you close the dialog box.

In the Project, Render Queue, and Effect Controls panels, you can use the arrow keys to expand or collapse groups. Several more features now operate on the visible viewer in ETLAT mode, including keyboard shortcuts for toggling grids, toggling guides, showing channels, working with snapshots, and sending a preview to an external video monitor: Edit this, look at that ETLAT and locked Composition viewers Changed some user interface strings to make their meaning and function more clear.

This option is now always on. Legal Notices Online Privacy Policy Page: 18 After Effects getting started tutorials To learn more, view these recommended resources online.

After Effects CS6: what’s new and changed Apr. Page: 21 Planning and setup To the top Planning your work Planning for playback on computer monitors and mobile devices Cross-platform project considerations Planning your work Correct project settings, preparation of footage, and initial composition settings can help you to avoid errors and unexpected results when rendering your final output movie.

The best way to ensure that your movie is suitable for a specific medium is to render a test movie and view it using the same type of equipment that your audience will use to view it. Aharon Rabinowitz provides an article on the Creative COW website about planning your project with the final delivery specifications in mind. For a video tutorial on creating and organizing projects, go to the Adobe website.

You can use Adobe Photoshop and Adobe Illustrator to create storyboards. You can use Adobe Story to collaboratively write and manage screenplays. Adobe Story also converts information from a screenplay into XMP metadata that can automate the creation of shooting scripts, shot lists, and more. Acquiring, choosing, and preparing footage Before importing footage, first decide which media and formats you’ll use for your finished movies, and then determine the best settings for your source material.

For example, if you want an image to fill your composition frame, configure the image in Adobe Photoshop so that the image size and pixel aspect ratio match the composition size and pixel aspect ratio.

See Pixel aspect ratio and frame aspect ratio. Consider using Adobe OnLocation while shooting footage to make sure that you get the most out of your time and footage. If possible, use uncompressed footage or footage encoded with lossless compression. Lossless compression means better results for many operations, such as keying and motion tracking. Certain kinds of compression—such as the compression used in DV encoding—are especially bad for color keying, because they discard the subtle differences in color that you depend on for good bluescreen or greenscreen keying.

See Keying introduction and resources. See Frame rate. For example, if you know that you want to animate using motion tracking, consider shooting your scene in a manner that optimizes for motion tracking—for example, using tracking markers. See Motion tracking workflow. David Van Brink shows an excellent example on his omino pixel blog of why shooting in a high-definition format is useful even for standard- definition delivery, because the extra pixels give you a lot of room for synthetic fake camera work, such as zooms and pans in post-production.

Page: 22 To the top Project settings Project settings fall into three basic categories: how time is displayed in the project, how color data is treated in the project, and what sampling rate to use for audio.

Of these settings, the color settings are the ones that you need to think about before you do much work in your project, because they determine how color data is interpreted as you import footage files, how color calculations are performed as you work, and how color data is converted for final output.

See Color management and Timecode and time display units. If you enable color management for your project, the colors that you see are the same colors that your audience will see when they view the movie that you create. Note: Click the color depth indicator at the bottom of the Project panel to open the Project Settings dialog box. Alt-click Windows or Option-click Mac OS to cycle through color bit depths: 8 bpc, 16 bpc, and 32 bpc.

See Color depth and high dynamic range color. Composition settings After you prepare and import footage items, you use these footage items to create layers in a composition, where you animate and apply effects. When you create a composition, specify composition settings such as resolution, frame size, and pixel aspect ratio for your final rendered output. For example, the composition frame size should be the image size in the playback medium. See Composition settings. Later, you can use output modules in the Render Queue panel to encode and export a separate version of the composition for each format.

See Output modules and output module settings. Performance, memory, and storage considerations If you work with large compositions, make sure that you configure After Effects and your computer to maximize performance. You need to understand how to locate, save, and open files. You should also know how to use your mouse to access menus and commands. The software is sold separately, and not included with this book. Parameters c ol or The color of the solid, an array of 3 floating-point values, [R, G, B], in the range [0.

AVItem time attribute app. This value is a number of seconds. It is an error to set this value for a FootageItem whose m a i n S ou rc e is still item.

AVItem usedIn attribute app. Note that upon retrieval, the array value is copied, so it is not automatically updated. If you get this value, then add this item into another composition, you must retrieve the value again to get an array that includes the new item. Type Array of CompItem objects; read-only. AVItem useProxy attribute app. AVItem width attribute app. All methods and attributes of Layer, in addition to those listed below, are available when working with AVLayer.

AVLayer audioActive attribute app. For this method to return true, au d i oE nabl e d must be true, no other layer with audio may be soloing unless this layer is soloed too, and the time must be between the i n Poi nt and out Poi nt of this layer.

Parameters t i me The time, in seconds. AVLayer audioEnabled attribute app. This value corresponds to the audio toggle switch in the Timeline panel. AVLayer autoOrient attribute app. AVLayer blendingMode attribute app. One of: Blendi ngMo de. ADD Blendi ngMo de. HU E Ble ndi ngMo d e. Parameters p oi nt Top L e f t The top left point coordinates in the form of an array, [x , y, z].

Returns An Object with the transformation properties set. AVLayer effectsActive attribute app. AVLayer environmentLayer attribute app. Setting this attribute to true automatically makes the layer 3D t hre e DL aye r becomes true. AVLayer frameBlending attribute app. AVLayer frameBlendingType attribute app. AVLayer hasAudio attribute app. AVLayer hasTrackMatte attribute app.

When true, this layer’s t r a ck- Matte Typ e value controls how the matte is applied. AVLayer height attribute app. Type Floating-point; read-only. In this case, layer. False if the layer has an expressly set name, or if the layer does not have a source. AVLayer isTrackMatte attribute app. AVLayer motionBlur attribute app. AVLayer openInViewer method app.

Returns Viewer object for the Layer panel, or null if the layer could not be opened e. AVLayer quality attribute app. Note that this feature can be resource-intensive; if replacing a large amount of footage, do this only at the end of the operation. AVLayer source attribute app. The value is null in a Text layer. Use AV L ayer. Type AVItem object; read-only. Use, for example, to write text that is properly aligned to the baseline.

Parameters t i me T The time index, in seconds. Extents apply to shape layers, increasing the size of the layer bounds as necessary. Returns A JavaScript object with four attributes, [ top, l e f t , w i dt h , he i g ht ].

AVLayer threeDLayer attribute app. Applies only to text layers. AVLayer timeRemapEnabled attribute app. One of: Tra ck Matt e Ty p e. All methods and attributes of Layer are available when working with CameraLayer.

However, most collection objects are read-only. You do not assign objects to them yourself—their contents update automatically as objects are created or deleted. The index numbering of a collection starts with 1, not 0.

Methods [] Retrieves an object in the collection by its index number. The first object is at index 1. All methods and attributes of AVItem and Item, in addition to those listed below, are available when working with CompItem.

Example Given that the first item in the project is a CompItem, the following code displays two alerts. The first shows the number of layers in the CompItem, and the second shows the name of the last layer in the CompItem. The value is null if the composition contains no enabled camera layers. Type CameraLayer object; read-only. The three array values specify the red, green, and blue components of the color.

Type An array containing three floating-point values, [R, G, B], in the range [0. CompItem displayStartTime attribute app. CompItem draft3d attribute app. This corresponds to the value of the Draft 3D button in the Composition panel. CompItem dropFrame attribute app. When false, indicates non-drop-frame timecode. This corresponds to the setting in the Composition Settings dialog box.

CompItem duplicate method app. Returns CompItem object. CompItem frameBlending attribute app. Corresponds to the value of the Frame Blending button in the Composition panel. CompItem frameDuration attribute app.

This is the inverse of the f rame R ate value frames-per-second. CompItem hideShyLayers attribute app. When false, all layers are visible, including those whose shy value is true. CompItem layer method app. An integer in the range [ The rel Ind e x value is added to the index value of this layer to find the position of the desired layer. An integer in the range [1—ot he r- L aye r. This value is added to the ot he r L aye r value to derive the absolute index of the layer to return.

Returns Layer object. CompItem layers attribute app. Type LayerCollection object; read-only. CompItem motionBlur attribute app. Corresponds to the value of the Motion Blur button in the Composition panel. CompItem numLayers attribute app.

CompItem openInViewer method app. Returns Viewer object for the Composition panel, or null if the composition could not be opened. CompItem preserveNestedFrameRate attribute app. CompItem renderer attribute app. Allowed values are the members of c omp Ite m. CompItem renderers attribute app. Member strings reflect installed modules, as seen in the Advanced tab of the Composition Settings dialog box.

Type Array of strings; read-only. CompItem resolutionFactor attribute app. The two values in the array specify how many pixels to skip when sampling; the first number controls horizontal sampling, the second controls vertical sampling.

Full resolution is [1,1], half resolution is [2,2], and quarter resolution is [4,4]. The default is [1,1]. Type Array of two integers in the range [ This is a 0-based array the first object is at index 0. Type Array of Layer objects; read-only. CompItem selectedProperties attribute app. The first property is at index position 0. Type Array of Property and PropertyGroup objects; read-only. CompItem shutterAngle attribute app. This corresponds to the Shutter Angle setting in the Advanced tab of the Composition Settings dialog box.

CompItem shutterPhase attribute app. This corresponds to the Shutter Phase setting in the Advanced tab of the Composition Settings dialog box. Type Integer in the range [— CompItem workAreaDuration attribute app. This is the difference of the start-point and end-point times of the Composition work area. CompItem workAreaStart attribute app. All methods and attributes of FootageSource, in addition to those listed below, are available when working with FileSource.

FileSource file attribute app. Type File object; read-only. FileSource missingFootagePath attribute app. This method can be called only on a mainS ource , not a prox yS ou rce. It can contain various types of items footage, compositions, solids as well as other folders. FolderItem item method app. Parameters index An integer, the position index of the item to retrieve. The first item is at index 1. Returns Item object. Unlike the ItemCollection in the Project object, this collection contains only the top-level items in the folder.

Top-level within the folder is not the same as top-level within the project. Only those items that are top-level in the root folder are also top-level in the Project. Type ItemCollection object; read only. FolderItem numItems attribute app. If the folder contains another folder, only the FolderItem for that folder is counted, not any subitems contained in it. Type Integer; read only.

All methods and attributes of AVItem and Item, in addition to those listed below, are available when working with FootageItem. Otherwise it is null. Type File object; read only. The attribute is read-only. FootageItem openInViewer method app. NOTE: Missing and placeholder footage can be opened using this method, but cannot manually via double- clicking it.

Returns Viewer object for the Footage panel, or null if the footage could not be opened. FootageItem replace method app. In addition to loading the file, the method creates a new FileSource object for the file and sets mainS ource to that object. Adobe Illustrator CC. Adobe Dreamweaver CS5. Adobe Captivate 9 – Quizzes. Adobe Captivate 9 – NeoSpeech.

These are great tutorials, but I think the majority of your viewers new to moderate proficiency wanting to move up a notch with the software. I’d like to see some tuts that don’t require so many additional plugins. Mainly because we don’t have admin rights on the machines we work on and can’t instantly get the plugins you have access to. This makes our follow-along abilities very limited. Just a tip. Thanks and great sight. Hi all, Could I advertise my resource here? I’m publishing After Effects tutorials, created by me and by other people on my site -.

I would like to get the installer about adobe after effects, let me know pls. My operating system is Windows XP on my pc. Great collection of tutorials. I’m creating an intro for my YouTube channel, and these videos will make it great. I am very knowledgeable after reading this. Not because I liked this article, but I got this in a very well manner.

Very well explained. One can get inspiration with this read. The most striking thing about the centre of Detroit these days is how quiet it is. Good tutorials. I thought you all might like to take a look at some of these AE tutorials. In a LOT of places you’ve written “In this tutorial artist will show you Congratulations on putting up your own web page that links to video co-pilot.

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Adobe after effects cs6 user guide pdf free.Need help?

 
Page: 17 Many dialog boxes now have a Preview option that allows you to see the results of changes before you close the dialog box. Привожу ссылку 41 To the top To the top rasterization means that graphics stay sharp as they are scaled up.❿
 
 

Adobe after effects cs6 user guide pdf free

You should also know how to use your mouse to access menus and commands. The software is sold separately, and not included with this book.

The minimum system requirements for your computer to effectively use the software are listed below and you can find the most current system requirements at www.

If you did not install the fonts, or have removed them from your computer, you may substitute different fonts for the exercises or re-install the software to access the fonts. If you receive a Missing layer dependencies warning dialog when you open a file, it is usually due to not having a necessary font installed on your system. If this occurs, press OK and After Effects will substitute a default system font.

You can then change the default font to one similar to the one used in the lesson. Resetting Adobe After Effects CS6 preferences When you start Adobe After Effects, it remembers certain settings along with the configuration of the workspace from the last time you used the application.

It is important that you start each lesson using the default settings so that you do not see unexpected results when working with the lessons in this book. You must be logged in to post a comment. Please notice that once you buy from us – our product is non refundable. So please note this before you buy anything. Is the manual of the Adobe After Effects available in English?

Yes, the manual of the Adobe After Effects is available in English. No results. Adobe After Effects CS5 manual pages. Adobe After Effects CS4 manual pages. Adobe Photoshop CC manual pages. Adobe Illustrator CC manual pages. Adobe Photoshop CS6 manual pages.

Adobe InDesign CC manual pages. Adobe Premiere Pro CC manual pages. Adobe Photoshop CS5 manual pages. Adobe Photoshop Lightroom 5 manual pages. Adobe InDesign CS6 manual pages.

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